Choreography
and Performance

RECENT WORK AND COLLABORATIONS

SELECT CHOREOGRAPHY, DIRECTING & PERFORMANCES
2024-2026
Support Structures, Boston City Hall Plaza, choreography and performance, with visual artist
Kate Holcombe Hale’s solo exhibition and performer MacKenzie Le Torré, Boston, MA.

I can hold you, you can hold me. Kniznick Gallery, Brandeis University with visual artist Kate
Holcombe Hale’s piece in group exhibition. Director with performances and improvisation with
performer Adriane Brayton.

Echoes of Brigid, Director and Performer for The Here Comes Everybody Players, at The Burren,
Backroom Series, Somerville, MA (2025 & 2026)

Soft Landings, The Art Gallery at Boston University, performance as activation to Kate
Holcombe Hale’s installation as part of Painting& exhibition.

There’s No Need To Argue, Choreography & Performance, Vivid Oblivion and at the Foundry,
Cambridge, Ma,

Performer in Lynn Modell’s Interesting Women, Providence Fringe Festival, Providence, RI and
at the Lineage Performing Arts Center, Pasadena, CA.

Performer in Lynn Modell’s Take it Down and Waiting, as part of Boston’s DanceNow Boston at The Dance Complex, Cambridge, MA

2021-2023
WE ALWAYS GET BACK UP. The Danforth Museum of Art, Framingham, MA and at The Dance
Complex as part of the aMassit Residency, Cambridge, MA. Choreography and performance with visual artist Kate Holcomb Hale and performer MacKenzie Le Torré.

Performer in Kim Brandt’s Together, at The Clark Institute of Art, Williamstown, MA

Performer in Lynn Modell’s Interesting Women, Boston Center for the Arts, Boston, MA.

Folding Space, Choreography and Performance in collaboration with Ana Harmon for James Clar’s exhibition at Praise Shadows Art Gallery, Brookline, MA,

2019-2021
pandemic motel, experimental short film (7 min), choreography, performance and edit, at The Dance Complex, Cambridge, MA, screened as part of the Festival of Us, We, Them and Us & at Chez Bushwick, Brooklyn, NY, as part of their RECESS online series

Performer in Kim Brandt’s Level, Museum of Contemporary Art, Chicago, IL

Performer in Kim Brandt’s Corners, The Shed, New York, NY
2015-2018
No, Thank You, Women in Motion Series, NYC – Choreography &Performance, Brooklyn, NY

Living with Trees, University of Wisconsin-Madison Dance Department 90th Anniversary
Performer in Kim Brandt’s Problems, Sunday Sessions at MoMA/PS1, LIC, NYC

Untitled Together, Center for Performance Research, NYC, part of Chez Bushwick’s Artist-in-Residence, Choreography and Performance.

Performer in Kim Brandt’s The Volume, The Sculpture Center, NYC

Performer Emily Wexler’s Blood Trees at CPR, NYC

Living with Trees, Gibney Dance, Work Up Series, NYC

Performer in Kim Brandt’s Clear Night at Pioneer Works, Brooklyn, NY
2015-2018 continued…

Kate Corby’s RUIN, Sedona, Arizona (Co-direction, performance and edit of dance film short)

Living with Trees, Movement Research at the Judson Church, NYC

Performer in Kim Brandt’s Untitled, Artists Space, NYC and at AUNTS at Bric, Brooklyn, NY

Performer in Emily Wexler’s Blood Trees Center for Performance Research (CPR), Brooklyn,NY

Living with Trees Center for Performance Research, part of Performance Studio Open House Bklyn, NY

Choreography for Natalia Iyudin’s film The Garden, Anthology Film Archive

2010-2014
GLORY, GLORY, choreography and performance, duet with performer Kate Martel. Performed at
Movement Research at the Judson Church, NYC.
Dixon Place, NYC. Danspace Project, as part of DraftWorks, NYC. AUNTS, Chain Curation #3,
Brooklyn, NY.

When I am Young, The Chocolate Factory Theater, Queens, NY. Kunsthalle Gallery, Galapagos
Arts Space, Brooklyn, NY. Gibney Dance as part of Show/Share, NYC.

tracking you, Center for Performance Research (CPR), Brooklyn, NY. <fidget> art space,
Philadelphia, PA.

dear, dear, dear. (Video short), Museu de Arte Moderno (MAM), Festival CulturalDigital, Rio de
Janeiro, Brazil

Dickless, Festival Contrabando, Rio de Janeiro, Brazil., Barracâo Maravilla Gallery, Rio de
Janeiro, Brazil.